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'Shakespeare in Love' Helmer Circles 'My Fair Lady'
Filed under: Music & Musicals, Deals, Remakes and Sequels
There is still no solid agreement for Keira Knightley to take on one Miss Eliza Doolittle, but it looks like the remake of My Fair Lady may finally have found a director. One who is not Joe Wright. Variety reports that the helmer behind The Debt -- John Madden -- is currently in talks to direct the film. Seeing that The Debt hasn't come out yet, let's be more clear: The director behind Shakespeare in Love, Captain Corelli's Mandolin, Proof, and Killshot is the guy circling this feature.That should be pretty decent news for the film. While I can't say that his subsequent work has brought him the same acclaim, getting an Oscar nomination for Shakespeare proved that he's at his best when dealing with classic literary romance. And while I would've loved to see Baz Luhrmann take it on (he was previously linked to the shebang), I can't really argue with the directorial direction they're going ... although I would very much prefer a stab at the original Pygmalion. Alas, no music-free wordiness for me.
The plan is to retain the film's 1912 setting and score, shooting in a number of London locales. But the big question will be whether audiences will care. Can rain in Spain bring in box office numbers? And when will ANYONE officially sign on to this sucker? Stay tuned!
Old Doctor Who to Play John Lennon
Filed under: Drama, Music & Musicals, Casting
It looks like The Beatles are going to get a good dose of Doctor Who in the coming year. Variety reports that in a rather nice twist, the man who kicked off the Who revitalization, Christopher Eccleston, is slated to star as John Lennon for an upcoming BBC Four biopic called Naked Lennon. The story will focus on the big turning point for Lennon between 1967 and 1971 -- the dissolution of the band, death of manager Brian Epstein, the end of his first marriage, and then, of course, the entry of Yoko Ono into his life.Naoko Mori, who played Toshiko in Torchwood, will play Yoko Ono. (For Hackers buffs out there, she also played the Tokyo Hacker back in the 1995 movie.) Rounding out the cast is Rory Kinnear as Epstein, Claudie Blakley as Cynthia, and Andrew Scott as Paul McCartney.
Now this is a BBC movie, but considering the reach of Red Riding, I imagine this could stretch beyond the UK's TV screens. There's the fact that The Beatles have been seeing a lot of love in the CD and video game world, and Lennon usually doesn't get much cinematic love save retro pieces in a cameo capacity. The tide changed this year with Nowhere Boy -- so we'll have to wait and see. But what do you think about the casting? Can Naoko and Who pull off a convincing John and Yoko?
'Nine', 'Up in the Air' Lead Satellite Award Nominations
Filed under: Comedy, Documentary, Drama, Foreign Language, Music & Musicals, Awards, Quentin Tarantino, Johnny Depp, George Clooney, Oscar Watch
There are a few good reasons to hate on the Satellite Awards. First of all, we really don't need any more end of the year movie and television honors. Second of all, the Satellites seem to be little more than a knock-off of the Golden Globes, which are already pretty unnecessary. Third, they happen way too early, missing out on seeing and thereby qualifying perhaps the biggest film of the year (Avatar). But over the years I've come to appreciate the Satellites and their bestowing organization, the International Press Academy, for their constant surprises when it comes to nominating and awarding unlikely films and talent. Just look at some of last year's acting winners: Richard Jenkins; Rosemarie DeWitt; Ricky Gervais; Michael Shannon.
Now check out this year's nominees, which continue to prove that IPA voters like to go at least slightly against the grain. Okay, so there are a lot of predictable titles in the lot, including Up in the Air and Nine, which leads with 11 nominations. Yet there are some films I don't expect to be recognized by the Golden Globes, let alone the Oscars, such as The Maid and The Stoning of Soraya M., both of which feature in the Best Actress (Drama) category.
New to Me: Purple Rain and Stunt Rock
Filed under: Action, Drama, Music & Musicals, Columns
As the perpetual young'en on the staff, it only seems fitting that I start chronicling my encounters with whatever classic or otherwise noteworthy titles that I'm just now dusting off and catching up with. For the first in this series, I find myself tackling a double feature of '70s/'80s rock kitsch - Stunt Rock and Purple Rain.
Scenes (Songs) We Love: Ain't Nobody From 'Breakin'
Filed under: Music & Musicals, Fandom, Trailers and Clips, Scenes We Love
My love of dance movies, especially crappy dance movies, could probably all be traced back to Breakin'. In 1984 I wasn't exactly the hippest girl on the block (after all it isn't easy to be hip when you're nine years old), but when my dad took me to see Breakin' I thought this was the beginning of a long and industrious career as a B-girl. So, as you can probably guess, it didn't quite work out that way, but thanks to Breakin' I still listen to Rufus' Ain't Nobody featuring R&B legend Chaka Khan (which first appeared on Rufus' album Stompin' at The Savoy) .
Breakin' was directed by Joel Silberg and centered on the dancing duo of Turbo (Michael Chambers) and Ozone (Adolfo Quinones), who team up with Kelly, a pampered jazz dancer (played by Lucinda Dickey) in a battle with a rival dance crew by the name of Electro Rock -- and if you remember your 80s movies then you know that most disputes can be solved with a dance off. Rufus' #1 R&B hit accompanied the all-important musical montage where we see white-bread Kelly learning to pop and lock...badly.
Breakin' wasn't the first break dancing movie to come along, and if I had to choose, Beat Street would go down as my personal favorite. But, for better or for worse, Breakin' is still one of the best remembered movies of that brief fad of b-boys on the big screen, and it may not be a great movie -- as a matter of fact it's kind of a terrible movie, but this is definitely a great song.
After the jump: Kelly gets down and some cross promotion with Turbo and Ozone...
Gabe Sunday's John Lennon 'Yellow Submarine' Audition Tape
Filed under: Music & Musicals, Casting, RumorMonger, Fandom
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In the past couple days some news reports have surfaced that would make it seem as if Robert Zemeckis has begun the casting process for his Yellow Submarine remake, which is apparently going under the name of The Fab Four Project or The Untitled Fab Four Project for reasons we do not know (perhaps to either mask the real production or perhaps they've decided to go in a different direction and are between titles). Jim Hill noted that they're holding open auditions at a Beatles convention in Stamford, Connecticut this weekend, and The Sun already claims actor Stephen Graham has landed the part of Ringo in the mo-capped feature (though I'd take that piece of news with a huge grain of salt).
It also looks like Zemeckis is considering a wide range of folks for the role of John Lennon, including one of our favorite up-and-coming actors, Gabe Sunday. I first saw Sunday in the buzzed-about indie flick My Suicide and instantly knew he was heading in the right direction. The guy isn't just another wannabee actor -- he's a true artist and collaborator who likes to be involved in the entire filmmaking process. Not only is he working on a narrative film about the great Daniel Johnston, but he apparently threw together a John Lennon audition tape for Zemeckis that's pretty spot-on in terms of becoming the young, experimental Lennon who pals around with buddies and enjoys impromptu jam sessions. No doubt Sunday's usual cronies are behind the look and feel of this audition tape since it squarely belongs in their wheelhouse, and I hate to say it but I'd rather see more of this than whatever colorful mo-capped version Zemeckis has planned.
Either way I truly hope he gives Sunday a shot. The guy is ready to explode onto the scene; he just needs more opportunities to do just that. Watch the video after the jump. Good luck Gabe!
Exclusive 'Nine' Poster Premiere!
Filed under: Music & Musicals, Movie Marketing, Images, Trailers and Clips, Posters
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Cinematical has just received this sexy new poster for the upcoming movie-musical Nine, directed by Rob Marshall (Chicago), and starring ... well, who isn't starring in this film? We've got the sensational, bound-to-be-nominated-for-Best-Actor-again Daniel Day-Lewis, followed by a plethora of gorgeous female co-stars like Nicole Kidman, Penélope Cruz, Kate Hudson, Marion Cotillard, Judi Dench and Sophia Loren.
Based on the popular Broadway show, Nine follows a famous film director named Guido Contini (Day-Lewis) who's struggling to juggle all of the different dysfunctional personal and professional relationships in his life. You'd be hard-pressed to find an Oscar-related list that doesn't already include Nine as a shoe-in for multiple nominations, including Best Picture. Early reviews are already touting it as a must-see, and I can kinda see why -- this poster alone gives us at least five reasons right off the bat.
Nine is set to roll out into theaters in limited release on December 18th and nationwide on December 25th. Click on the image below to view the full poster, then head after the jump to watch the film's trailers.
Gallery: 'Nine' Movie Poster
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Exclusive: Title Track for 'The Road' Soundtrack
Filed under: Drama, Music & Musicals, New Releases, Fandom, Home Entertainment
Cinematical has just received the following title track for Nick Cave and Warren Ellis' original and haunting film score for The Road. It's simple and chilling -- just as any accompaniment to a post-apocalyptic world should be -- full of violin and piano tunes, some wind instruments and sound loops. The soundtrack is being released digitally today over at Amazon, with further digital retailers tomorrow and a CD release to follow on January 12, 2010.We first alerted you to the score back in March, and then to the duo's Soundtrack Collection in September. As you might have gathered, some of us are big Cave & Ellis fans. And rightly so. They provided an award-winning score for John Hillcoat's earlier feature The Proposition (which Cave also wrote), and also scored The Assassination of Jesse James by the Coward Robert Ford. And of course, that's besides their work in Nick Cave and the Bad Seeds, which has memorable cinematic ties to Wings of Desire (before Ellis teamed up with Cave).
Too often these days it's easy to get pulled out of movies due to overly imposing and grandoise film scores desperately trying to yank at emotions, rather than just lightly coaxing the right feel for a particular scene, and Cave and Ellis definitely know how to let simplicity reign. Check out the clip and track list after the jump and grab it over here at Amazon.
Serious Scores: 'Aguirre: The Wrath of God'
Filed under: Music & Musicals, Fandom
We're doing something crazy, and launching another little series here on Cinematical: Serious Scores. You're a smart bunch, so I imagine you've already figured out that the goal isn't to highlight our favorite bank heists, but to praise the creme de la creme of cinema's soundtracks. Hopefully, you'll find something new for your iPod, rediscover a lost favorite, or appreciate a piece along with us. Technically, Werner Herzog's Aguirre: The Wrath of God doesn't have an official soundtrack. The entire score was recorded by the German progressive band Popol Vuh (the first of many collaborations they did with Herzog), and was released as an album in 1975, with a 2004 re-release. Only two tracks were actually used in the film: Aguirre I and Aguirre II. If you disdain the rest of their Krautrock, the magic of iTunes and Amazon allows you to buy them individually. Now you can put them on a playlist, set them to repeat, and go as mad as Aguirre himself.
Hints of madness aside, Aguirre I and II are pretty incredible pieces of music and were raved about in the 1970s. I think the music is just as powerful today, even if Moog synthesizers seem to have fallen out of favor. It's hypnotic and eerie, and so very evocative of that torpid jungle journey. Never have native panpipes sounded as frantic and terrified. I've embedded Aguirre I below the jump, but I highly recommend spending the $0.99 so you can download it to something hand-held and listen to it in the dark.
Everything You Ever Wanted to Know About Horror Musicals
Filed under: Horror, Music & Musicals
By Alison NastasiWith the announcement of Carrie making a return to the Broadway circuit after a short-lived disastrous first go-round, I'm left holding my head and wondering, "Why?" Horror musicals are like your socially awkward cousin. You know, the one who talks too much and quite possibly bears an uncanny resemblance to Franklin from Texas Chain Saw Massacre.
Is it fair to hold the horror musical to the same standards as the dastardly horror film remakes that seem to be happening in droves? I don't think I can help it. Few horror musicals have been born from an original idea which leaves me with the same funny feeling. I'm well aware that remakes have been happening since the dawn of time but this kind of remake is worse. When you add the word 'musical' to anything it evokes a horrible visceral reaction within many people. Adding it to the word horror just seems like a bastardized and shrieking kind of wrong.
Isn't the comical genius of Young Frankenstein and Evil Dead perfect as is? Young Frankenstein was a parody. So, is a mugging Dr. Frankenstein belting out a song called Transylvania Mania anything other than pointless and silly? The film Cannibal! The Musical, another intentional parody by beloved low-budget Troma Entertainment, has more class by comparison. Even Cronenberg's The Fly has been made into an opera, but they don't have me fooled. Adding the smooth vowel-ridden word to the title doesn't soften the blow. In fact, it's almost more cruel. However, Repo! The Genetic Opera would probably disagree with me.
Read the rest at Horror Squad!
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